Finding Beauty in Simplicity: A Minimalist's Guide to Photography

Tom Marsh • May 4, 2025

Sometimes, the most stunning photographs aren’t the ones packed with drama or detail. Instead, they’re the ones that strip away the noise, highlighting the beauty of simplicity. Minimalist photography is all about seeing the extraordinary in the ordinary, focusing on clean compositions, negative space, and subtle details that make a big impact.

 

The Magic of Minimalist Architecture

Ever walked past a plain, geometric building and felt oddly drawn to it? That’s the power of minimalist architecture. Clean lines, bold shadows, and soft hues create an effortlessly striking composition. Photographers like Hiroshi Sugimoto and Fan Ho have mastered this approach, capturing architectural minimalism in a way that feels both serene and powerful. Next time you see a simple, unadorned wall or a lone window on a vast facade, try framing it in a way that emphasises its stark elegance.

 

Nature’s Simple Beauty

Minimalism isn’t just for cityscapes; nature offers plenty of quiet beauty. Think of a single leaf floating on a still pond, a lone tree against a foggy sky, or a rolling sand dune with nothing but soft curves and shadows. These types of images evoke a sense of calm and introspection. Photographers like Michael Kenna have mastered the art of using negative space in landscapes, proving that less really is more.

 

Playing with Negative Space

Negative space—basically the empty areas in your composition—can be just as important as the subject itself. A lone bird flying in an expanse of blue sky or a person walking across a vast, open field can create a sense of isolation, tranquility, or even mystery. It’s about knowing when to step back and let the emptiness do the talking.

 

Finding Minimalism in Everyday Life

You don’t need to travel far to find minimalism—it’s all around you. A single coffee cup on a white table, the perfect symmetry of a staircase, or even shadows playing on a blank wall can make for an interesting shot. The key is to train your eye to see simplicity where others see nothing.

 

Less Is More

Minimalist photography isn’t about what you include; it’s about what you leave out. By focusing on form, color, and light, you can create images that feel timeless and impactful. So next time you pick up your camera (or phone!), challenge yourself to capture beauty in the simple, quiet moments. You might be surprised by what you find.

By Tom Marsh May 4, 2025
In March, I was lucky enough to tick off one of my bucket list photography locations: The Lofoten Islands in northern Norway (see my YouTube vlog of my trip below). In preparation for my visit I scrolled through umpteen spectacular photographs, tempting me into considering what is possible in such a spectacular location. This could have led me to panic. Thinking, 'am I doing this place justice? Should I photograph this scene this way, or would that rock over there provide a better vantage point?' I could have tied myself in knots over something that means so much. After all, it would be a while before I could even contemplate returning. I had to get it right first time! Photography can often feel like a race. Scroll through social media and you’ll see endless polished shots, fancy gear setups, and people chasing the next viral trend. It’s easy to feel like you’re supposed to be doing more, doing it faster, and making it all look perfect. But the truth is: some of the best photography happens when you slow down. When I was in Lofoten, I gave myself permission to relax into my work. I let go of the pressure to make something amazing every time I pressed the shutter and I immersed myself into the experience. My camera was just acting as a tool to record what I saw and what I felt, rather than a barrier between me and my surroundings. When you take some time to breathe, it gives you the opportunity to realise what makes you tick as a photographer. You find your interests, notice more things and yes, this can lead to better, more interesting photographs. At the end of the day, it's all about photographing things that speak to you, not the algorithm. Putting some time aside to go on a purposeful but relaxed photography trip has definitely made me a better photographer. Immersion into a location, technique or subject, just you and your camera, could be the best move you ever make. Most importantly, stop worrying about what you think people want from you. This isn’t about pleasing an invisible audience. Your photography is yours. So be weird. Be subtle. Be loud. Be poetic. Be you. Take your time. Let your work breathe. Let you breathe. And enjoy the process. That’s where the real magic happens. 
By Tom Marsh March 29, 2025
So, you’ve just been out with your camera, and now you’re scrolling through your shots. Chances are, you are thinking, 'I could have done better.' The key to improving your photography isn’t just taking more photos—it’s learning how to analyse them constructively. We can often be our own worst critiques, but below, I have listed a few pointers to help you to critique your own photos, without being too hard on yourself. 1. Step Away Before You Judge It’s tempting to review your photos immediately, but your brain is still in ‘shooting mode.’ Give it some time. A few hours, a day, whatever it takes for you to come back with fresh eyes. You’ll be able to spot strengths and weaknesses much more clearly when you’re not emotionally attached. 2. Identify What Works First Before diving into everything you don’t like, pick out what you do like. Are there aspects to the composition that work? Is the lighting good? Even if the photo isn’t perfect, there’s probably something worth celebrating. This helps you understand your strengths so you can lean into them. 3. Analyse What’s Off (Without Self-Sabotage) Now, let’s get critical—but constructively. Ask yourself: Is the composition cluttered? Does the lighting help or hurt the picture? Is the focus where it should be? Does my photograph communicate my intent? Instead of thinking, “Oh dear, this is bad,” reframe it: “This would be stronger if I adjusted X, Y, or Z.” That way, you’re learning, not just self-critiquing. 4. Compare, But Don’t Despair Looking at work from photographers you admire is great for inspiration, but don’t let it discourage you. Everyone starts somewhere. Instead of feeling bad, analyse why you like their work. Is it their use of colour? Composition? Lighting? Figure it out and apply those lessons to your own photography. 5. Edit With Intention Sometimes, what seems like a ‘bad’ photo can be brought back to life in the editing process. Play with cropping, or colour grading to bring out the best in your shot. Editing is part of the creative process—don’t avoid it! At the same time, don't simply use editing to mask mistakes you make in camera. A good photo will always start when your camera's sensor's pixels are sensitised. Getting the basics right from the start will allow your edits to be enhancements, not just corrections. 6. Get a Second Opinion It’s easy to be overly critical of your own work. Show your photos to someone you trust—preferably someone who knows a bit about photography. They might point out things you didn’t even notice (good or bad) and offer useful insight. 7. Keep Shooting, Keep Learning The best way to improve is to keep taking photos and, dare I say it, keep making mistakes! Every shot you take, every mistake you notice, and every improvement you make, helps you grow. So, be kind to yourself, take those lessons onboard, and apply them next time. Remember: No one’s perfect, even the best photographers have shots they’d rather forget. The goal isn’t perfection—it’s progress. Keep shooting, keep learning, and most importantly, keep enjoying the process!
By Tom Marsh February 2, 2025
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By Tom Marsh January 1, 2025
Improve your photography in 2025 today!
By Tom Marsh December 1, 2024
I don't know why, but at this time of year I always get a little bit nostalgic. I suppose, as another year draws to a close, I like to look back on my experiences and photographs from the last twelve months, taking stock and planning how I can explore the wonderful world of photography further. At the hight of the fast paced year, it is easy to loose track. Resolutions and aspirations we set ourselves during this nostalgic period, become obscured by the pressures of everyday life. One of my jobs in November is to make a calendar of my photos from the previous year, which I gift as Christmas presents to family friends. I often find, when I search for suitable photos to fill each month, many of my folders are still full of RAW files; unprocessed since the day they were etched onto my memory card. At the time, this was probably due to me not allowing myself time to work through them, however, as I look back; I don't think this is necessarily a bad thing. Whether it is down to the instant gratification syndrome of sharing our lives on social media or the fact that one photo outing is over, let's move onto the next one; we can become a little overzealous when it comes to rushing through our photo edits. Although it extends the preparation time of my calendar, going through some of my un-edited photos months after they were taken, allows me to see them with fresh eyes. I realise that some of the pictures I thought might be bangers at the time of taking, are overtaken by the subtle impact of others, on reflection. Whether life simply gets in the way of our editing and sharing process or we purposefully put the breaks on, giving yourself and your photos time settle before picking out the prime of the crop can be a really useful exercise. Just like we give fruit time to ripen in order to make the most of it's delicious sweetness, giving our photographs time to grow on us can completely change our perspectives, and make more considered decisions on which to keep, share or delete. It won't be long until we are reliving this moment in 2025, uttering those immortal words, we all say. Where has the year gone?! However, as we nostalgically look back and try to piece together our busy lives, don't worry if you still have some editing to do. There's no need to rush.
By Tom Marsh November 1, 2024
In 2008, I studied a module as part of a website design degree, that was to change the course of my life forever. The module was called 'Digital Imaging' and it opened my eyes to the world of photography. Whilst studying this module, I discovered the work of northern industrial landscape photographer John Davies. It made me realise that photography wasn't just about making pretty pictures; it has a gritty, more rhetorical side. From that moment on, I started searching for more inspiration to shape my own photography work, discovering other 'new topographic' photographers such as: Stephen Shore, Andreas Gursky, Edward Burtynsky and Bernd & Hiller Bescher. In 2012 I embarked upon a Masters Degree course in Photographic Studies at the University of Westminster and also set up Yorkshire Photo Walks. I found myself between two very different worlds. On one side I was discovering innovative and exciting approaches to photography and on the other, I was helping people to develop more traditional skills. One day I would be standing in front of a piece of contemporary photographic art in the heart of the capital, the next I would be in front of a waterfall, slowing down my shutter speed. Although between these different worlds, I felt balanced. My portfolio was enriched by the positives of both camps. However, on graduating from my course in 2014, I felt myself becoming adrift. Because I was putting so much effort into growing my tuition business, my personal work took quite a heavy hit. A few years ago, I was asked, 'what type of photographer are you?' I paused, and soon realised I couldn't give an answer. Don't get me wrong, I love all the photography I do under the umbrella of Yorkshire Photo Walks, but because I cover such a variety of genres and styles, the photography that actually defines me, has become blurred. Just like the discovery of John Davies and his new topographic contemporaries, this question galvanised me into searching for Tom Marsh the photographer, not the Flat Capped Photographer. In doing so, it has taken me on another journey of discovery and, although 10 years after graduating from my MA, I am proud to announce the launch of my brand new portfolio website! It showcases the work that I feel defines me, not just as a photographer, but as a person. You will see that a lot of it is a far cry from the photographs you will see on the Yorkshire Photo Walks website, but I see that as a positive thing. I am starting to re-address the balance. Click here to check out my new portfolio site!